The Vast of Night Review & Film Summary

The Vast of Night Review & Film Summary

The Vast of Night Review & Film Summary – Discovered at the Slamdance Film Festival that took place in parallel with the Sundance Film Festival the past year, the next-generation sci-fi The Vast of Night, which has gained unavoidable interest after its screening at the Toronto Film Festival, is one of the most notable films recently added to the Amazon Prime catalog. . Its director Andrew Patterson’s first movie and the favor shown to him at the mentioned festivals has made him one of the most curious names about what he will do in the future.

It is possible to commemorate the 2000s and especially the decade we left behind as a period in which species are redefined. Horror cinema is perhaps the genre that experiences this redefined state most clearly. Acting from an independent vein, this is a renewal in which innovative, political, interdisciplinary-genre hybrid films penetrate through the cracks of mainstream cinema to reach large audiences, and find a response in viewers’ numbers. We can say something similar about science fiction cinema. Forbidden Zone – District 9 (2009), Under the Skin (2013), Arrival (2016), which establishes relationships with different subspecies, but also redefines this relationship according to the evolution of those subspecies, as in the great examples of the genre in the past. Include films such as Annihilation (2018), High Life (2019) in this transformation, extending to the early 2000s, Donnie Darko (2001), 28 Days Later – 28 Days Later (2002), Capsule – Primer (2004) or even 2046 We can expand the list with movies like (2004). For die-hard fans of the genre, this transformation is likely to be a painful past, but we can argue that the transformation of the narrative in front of our eyes has created an indifferent excitement, and even the most powerful bottom wave with horror cinema came from the next generation of science fiction. As you can understand from all these words, The Vast of Night is a movie that we can include in this transformation.

The Vast of Night, which opens in the hall of a future house furnished with an interior architecture close to the present, is a kind of movie story within the movie. We are witnessing a strange event in a town in the state of New Mexico within the story that we switched from the formless television in the hall in question to a twilight zone program called Paradox Cinema, which took place in the 50s, to a story in this program. Our two main characters, young switchboard officer Fay (Sierra McCormick) and the town’s popular radio broadcaster Everett (Jake Horowitz), first encounter a strange voice leaking into radio frequencies and phone lines. Then, at night, the phone calls that suddenly stopped, the ominous stories told by the mysterious listeners connected to the phone about this strange sound, the lights of the town in the sky turn into a complete nightmare.

The Vast of Night Review: Past as a Twilight Zone Story

The Vast of Night Review & Film Summary – Our two main characters, Fay and Everett, have an interesting dialogue at the release stage of the movie, which takes place on a deserted night where the majority of the town gathered to support the basketball team and there were very few people staying at home. This is actually a stylish foreshadowing that gives hints of what we’ll see later in the movie. In this dialogue, Fay talks about some of the predictions for the future, which she mostly read in magazines, to Everett, where she got help to record sound for her homework. While talking about discoveries such as the mobile phone and the internet, which were difficult to believe or realize at that time, based on the articles he read, Everett can only say “It is not such a thing” about these technological inventions. From today’s perspective, although we find Everett’s reaction to be primitive, some of the important scientists who originally described the author Paul Tabori as the “Stupidity of Skepticism”, who in the past claimed that steamboats would sink in the water, that only fools would believe in flying, and that television would not be watched by anyone. we can understand this manifestation of his anxiety in Everett. This key and slightly too obvious dialogue of the film is essentially what determines our relationship with the film as the audience. However, Andrew Patterson, thanks to the impressive visual and auditory atmosphere he has set up, manages to turn his film, which is based on dialogue, into a visual experience, as well as to make invisible the stitch marks of the script moves that give clues about the future of the story. Fay and Everett’s dialogue spreads throughout the film, transforming into a massive, fluid, inter-space dialogue that both you enjoy cinematically and increase the tension and expectation of what will happen in the future. Ultimately, the rhythm of the strange events taking place in the town rises, and a series of events that cause serious paranoia and fear in Everett and Fay is coming one after another.

Even though the film floats in the same waters with films such as Close Encounters of the Third Kind (1977), ET (1982), Invasion of the Body Snatchers (1978), the film manages to create a completely different narrative, it has many characters and viewers. establishes a more distant relationship. While watching this story that takes place in the past, what is happening on the screen is forcing the limits of both imagination and logic. Especially after the film’s finale, it is possible to react like Everett’s prophecy that everyone will have a mobile phone in the future in the dialogue, but it is possible to find it logical … looks like a nightmare. With each passing minute, it turns into a cloud of memories that are more vague and harder to rationalize. Andrew Patterson’s The Vast of Night has an immersive fiction that establishes this feeling.

Andrew Patterson, from time to time, blurs the line between the past and the future in his film, which he designed as a “twilight story” experience. While telling the “extraterrestrial” elements in the story, it makes what we see closer to the imagination, but also aims to put what is happening into logic and create question marks. For example, the fact that the film is set in New Mexico and its relation to extraterrestrials immediately brings to mind the Roswell case, believed to have taken place in the same region in 1947. It is obvious that this feature of the film will lead to a different relationship with the film, especially in the common memory of the viewers living in the USA. Patterson’s film, which for a long time proceeds through voices, vague images, dialogues and fictional testimony of the characters, cuts a very obvious ending that stays in the air a little on the basis of its characters. However, this is not a strong breakdown to change the fact that the film is the kind of spectacle that science fiction fans have long been looking for and could not find.

The Vast of Night Rating – 6,5/1o

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